Charlotte Edsell British, b. 1971
H&G Space Dance, 2021
Oil on linen
30.5 x 35.4 cm
Copyright The Artist
A culmination of thinking that has informed this series of work, H&G Space Dance shows how we are all in flux, with life and the landscape around us, moving in...
A culmination of thinking that has informed this series of work, H&G Space Dance shows how we are all in flux, with life and the landscape around us, moving in unknown directions. The echo of a building drifts across the scene.
The initial impetus for this body of work came from drawing during lockdown, when Charlotte became immersed in her surroundings and found a particular interest in the hidden energy that informs all living things. Feeling closely connected to nature herself, she considered the relationship between humans, animals and the land, all of which live according to their own rhythms, side-by-side in continuous flux. Considering the agency of her surrounding landscape, Charlotte’s paintings are focused on the senses and explore the form, colour and texture of both the seen and unseen elements that inform and comprise our surrounding landscapes.
Laying down thin ‘veils’ of colour punctuated by direct marks she creates ‘optical vaults’ through which meaning can be accessed – “the last blast of sun before autumn, hints of animal and flora, landscape and structures as the world of nature merges with life.” She describes her process as ‘live’ painting; a risky technique that forces her to be in the moment with her painting and responsive to changes that occur beyond her control, just as mankind cannot control life through will alone and is always subject to nature.
The initial impetus for this body of work came from drawing during lockdown, when Charlotte became immersed in her surroundings and found a particular interest in the hidden energy that informs all living things. Feeling closely connected to nature herself, she considered the relationship between humans, animals and the land, all of which live according to their own rhythms, side-by-side in continuous flux. Considering the agency of her surrounding landscape, Charlotte’s paintings are focused on the senses and explore the form, colour and texture of both the seen and unseen elements that inform and comprise our surrounding landscapes.
Laying down thin ‘veils’ of colour punctuated by direct marks she creates ‘optical vaults’ through which meaning can be accessed – “the last blast of sun before autumn, hints of animal and flora, landscape and structures as the world of nature merges with life.” She describes her process as ‘live’ painting; a risky technique that forces her to be in the moment with her painting and responsive to changes that occur beyond her control, just as mankind cannot control life through will alone and is always subject to nature.