-
Pippa BlakeAnamata, 2020/21Oil on canvas153 x 183 cmAnamata, 2020 by Pippa Blake
These paintings are snatches of scenery glimpsed on video calls between Blake and her daughter in New Zealand while unable to travel and visit during the lockdowns of 2020/21.
-
These pieces in 1 Large : 2 small recall moments while travelling in Japan in 2018, a ferociously cold water swim and a stare off between a boy and a crow. Coppin describes how as a traveller in Japan he felt like an observer, rather than a participator.
-
Calum McClure
Damp Day, Queen's ParkThese pieces are part of an ongoing series of work looking at public places, which touch upon themes of wealth and possession, as well as nature reclaiming these spaces.
-
Charlotte Edsell
Having travelled extensively in her earlier life and with Bahamian heritage, her bodily relationship with place and memory is pivotal to her practice. Bahamian light floods into her work, and her experiences in Bali and Nepal and appreciation of Eastern values shapes her thoughts.
-
During the early months of 2020, with access to the physical world restricted by a national lockdown, Katharine found herself absorbed by historical images of past times. Partially induced by memory and nostalgia she started painting what had become deserted fairgrounds, but with all the anticipation of the return of children.
-
Pippa Blake
1 LARGE : 2 small: Pippa Blake, Fred Coppin, Charlotte Edsell, Katharine Le Hardy and Calum McClure
Past viewing_room
